GOTTA GO FAST
A random work based on this lovely image.
Update : I upload cleaner version this time. Hopefully I can make this into A5 print.
The SSB4 rooster looks good so far!
I love how she almost drops it until she smells it and that flashbulb memory hits.
“Real isn’t how you are made,” said the Skin Horse. “It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real … Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.”
this is the most relatable vine i’ve ever watched
I made a digital painting self portrait :D I even made a process gif
I couldn’t even include all of the reference boards this blog contains on this photoset. That’s right! There’s EVEN MORE! There are pages and pages of them! It is an inspiration treasure trove!
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Up in the rice terraces of the Cordillera mountain range of the Philippines live the last few tattooed women of Kalinga. Traditional tattooing is seen as archaic and painful by the younger generations of Kalingas. As an Indigenous group that has successfully fought against colonizing forces, it is losing the practice of traditional tattooing because of the changing perspective of beauty and interpretations of the practice by outside scholars.
Studies on the tradition interpreted the practice to show that men were given tattoos because of brave acts during tribal wars while the women were given tattoos just to decorate their bodies. Men who attempt to get traditional tattoos without acts of bravery are shunned by the community and are now unable to continue the practice without facing criminal charges from the government. Women are unconstrained by the same reasons but are struggling to continue the practice because of the pervasive western interpretations of aesthetics that changed the perceptions of “beauty” in Kalinga. To the women of Kalinga, the batok or the tattoo goes beyond beauty and prestige but it is symbolic of the traditional values of women’s strength and fortitude.
The traditional tattoo is an indigenous body art, an expression of the psychological dimensions of life, health, love and it defines local perceptions of existence. Sadly there is now a decline of the traditional art among indigenous women brought about by the changing perspective of the meaning of the tattoo and its stigmatized practice. It is now considered a vanishing art along with the gatekeepers of the knowledge associated with it.
The Last Tattooed Women of Kalinga by Jake Verzosa. Jake Verzosa is a freelance photographer based in Manila.
imagine setting this loose in the middle of a big auditorium while some important speech is going on
1. You have no talent
2. Mr. Tentacles has all the talent
3. If you are lucky, some of Mr. Tentacles’ talent may rub off on you
Paper art by Morgana Wallace on Tumblr